Siberian
C 'is the irony that accompanies the work of Siberian Coconut . An irony of course implied that supports the creative process and reveals his identity at a moment of physical perception of the finished work. Noticeable in the double irony in this facet of the artist to proceed Tuscan while the composition, in its formal construction and in its components, see the spectator to the past and the various courses of advanced, on the other hand it is materializing a personal language that characterizes the evolution and self-expression.
Patarini has already had occasion to note that the works of Di Cocco present themselves as "a synthesis of original and diverse contributions, drawn from more recent tradition of the art contemporary, and reinterpreted in a seemingly playful and easygoing." His references are to a certain part of American pop art, or a particular interpretation of the painting through both the informal handling of the matter is highlighting a particular gesture in constant dialogue with the flexibility of the different components of matter.
In other works, however, you will hear the subtle reminders of the experience Dadaist, and this leads to focus our discussion to the elements "paint from the other" present in the work. Reading, thus requiring attention to conceptual. Some items included in the compositions, although taking aesthetic dignity come from the cycles of industrial production or refer explicitly to the world of advertising, mass communications. It is therefore to interpret, because what is altered is not the form, nor their identities. These new elements open up a confrontation with situations or functions already lived with a whole new meaning to the work they are defined. New identity not complementary, nor always compatible with each other. It is perhaps for this conflict is founded on a reading that language as an ironic result anachronistic? a before and an after? dialogue between the two different identities. So sweets, candies, pearls, shoes, figurines, feathers, wire, etc.., Are presented as evidence (even decorative) in itself independent but taking in the creative process, a different identity, but always an alternative to the role they were in reality. Cosmetic operation that finds its proper definition in the considerations expressed by Pierre Restany in the conceptualization of this artistic movement that goes by the name of New Realism.
works Coconut live in the knowledge that after all life, especially art, shows different realities, and items made of autonomous forms, which show the different intensities of their existence, such as exist in the world demands to adapt experience to become reality. The artist can interpret the language of art and through this has the opportunity to comment through the senses and to assume a different ironically exist. (Diego A. Collovini)
Opening: Saturday, March 5, 2011 18:30
Place : Liba Gallery - Via G. Bruno 9-56025 Pontedera (PI)
Exhibition dates: March 5 - April 7, 2011
Hours: Thursday to Saturday 17.00 - 19.30. Morning and holidays by appointment
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